Reupholstery, considered as a whole.
Replacing upholstery gives you the opportunity to choose a new surface as well as a new shade. White leather with pink accents, a restrained charcoal cabin or deep burgundy seating all create a different relationship with the existing trim. The method is a retrim of agreed parts, not a leather-dye service.
Keep the details in the conversation.
Seat belts, switches, carpets and hard trim do not automatically change with upholstery. Identify these elements before deciding on a palette. A photograph helps us consider where a new colour should stop, repeat or connect to the original cabin.
From a screen to a material sample.
Concept images explore an idea; they are not exact material swatches. Screens and lighting alter colour. Confirm the physical material and stitch combination with the atelier before approving the work.
Plan a two-tone interior without loose ends
Choose a main color and decide where the accent repeats. Seat centers can connect with door inserts while bolsters relate to the dashboard or carpet. View the front and rear cabin together, including headrests, the console and the lower door panels. A two-tone design works best when the same boundary is repeated consistently. Keep the number of materials manageable so texture, stitching and color support the same direction.
Light leather and everyday use
Ivory and cream can make the cabin feel more open, but the choice should reflect how you use the vehicle. Tell us about daily driving, children, pets or frequent open-roof use. Discuss the selected material’s care instructions and finish before approving a sample. Photography can suggest a mood, while the actual shade is chosen beside the retained trim under more than one lighting condition.